large ensemble

Bubble-Net (2024) 6’30”

for symphony orchestra (2.2.2.2 + 2.2.2.1 + timp./perc.[4]/pno./harp/strings)

written for the Cabrillo Festival Orchestra

seawall blvd (2022-23) 7’

for symphony orchestra (3.3.3.3 + 4.3.3.1 + timp./perc.[3]/pno./harp/strings)

programmed by Hear Now Music Festival (performed by the UCLA Philharmonia), USC Thornton Symphony’s New Music for Orchestra

revision of:

chrysaora (2022) 7'

for chamber orchestra (1.1.1.1 + 1.1.1 + perc.[2]/strings)

selected for Pacific Chamber Orchestra Dream American Workshop

Eyes Like the Morning Star (2021) 4'30"

for symphony orchestra (2.2.2.2 + 2.2.2.1 + timp./perc.[2]/strings)

written for the National Youth Orchestra of the United States of America​

​The Umbrella (2017) 2’30”

for string orchestra + piano

finalist in PTA Reflections Fine Arts State Competition

solo/chamber ensemble

Nothing Sounds Right (2024) 6’30”

for soprano, piano, and quartet (flute, bassoon, electric guitar, viola)

written for the Norfolk New Music Workshop

three declarations of love and a dead bunny (2023) 7’

for soprano, flute (+ bass flute), bass clarinet, percussion, violin

written for TAK Ensemble

unless you are careful (2023) 4’

for flute (+ alto flute), bass clarinet, alto saxophone, cello

written for CORVUS

american gothic (2023) 6’

for solo banjo

baby mine (2023) 8’

for 4-hand prepared piano

featured in Score Follower’s #FollowMyScore Fall 2023

the new old days (2023) 13’

for found instruments (six performers)

on what music is and isn’t (2023) 5’30”

for alto voice, piano, and fixed media

perennial glass (2022) 5'

for flute (+ alto flute), clarinet in B flat, violin, cello

written for Hub New Music 

​CALL BACK MY ROSE (2022) 3'

for alto voice and bass flute

​état d'âme: a self-portrait (2022) 4'30"

for flute and vibraphone

Secession (Don’t Tread on Me) (2021) 7’30”

for voice and string quartet

​Salish Phantoms  (2021) 7’

for eleven performers

​perfect lovers (2021) [indeterminate length]

for three performers

​standby, bystander (2021) 3’

for jazz sextet

written for the New York Youth Symphony Jazz Ensemble

102 (2020) 5’

for violin and cello

written for Schroeder Umansky Duo

​a kalopsia. (2020) 2’

for harp

​The Recitation (2020) 5’

for string quartet

written for MATA Jr. Festival

​Falling Buffalos (2020) 6’

for solo flute 

written for Mimi Stillman, Curtis Young Artist Summer Program

programmed in Dolce Suono Ensemble's ComposerLab: Young American Composers

​Chisos (2020) 3’30”

for solo oboe 

​Physik der Ente (2019) 4’45”

for flute, clarinet in A, percussion, violin, and cello 

written for American Festival for the Arts Houston Ballet Composer-Choreographer Collaboration

winner of Award of Excellence, PTA Reflections Fine Arts National Competition 

​Phenomenally (2018) 3’30”

for woodwind quintet 

written for American Festival for the Arts Houston Ballet Composer-Choreographer Collaboration

choral

Forever Like Blood (2020) 5'

for SATB choir + piano

in progress

the allegory of everywhere (2023-) 60’

for sinfonietta

letters to artemis (2022-)

for cello and orchestra

excerpt: II. “élégie” (orchestral version) (2023)

excerpt: II. “élégie” (cello and piano version) (2022)